Saturday, September 27, 2008

Debate 1

I only caught the end of last night's two-hour presidential debate between Senators John McCain and Barack Obama. Judging from the reaction in the polls and papers this morning, though, it seems like I didn't miss a whole lot -- the consensus seems to indicate that both men stuck to their talking points, neither made any huge gaffes, and both (according to FactCheck.org) managed to mangle the truth several times each.


I was actually looking forward to the start of the "debate season," since out of almost two years of campaigning (these keep getting longer and longer, don't they?), there've been precious few times where the candidates actually have to face each other and talk about their positions. But after seeing some of last night's debate and then reading the subsequent reactions, I remembered, "Oh yeah. This is a campaign debate. Nobody's changing their mind about anything."

The editorial pages are all echoing the meme that "there was no 'knock-out' blow," and there wasn't. And pundits, columnists, and voters on both sides believe the candidate they already supported won. Republicans are saying that McCain was able to attack Obama on foreign policy (saying he was "naive" in his first reaction to the Russia/Georgia crisis -- by the way, what happened with that?), and Obama's crowd has been pointing out McCain's apparent inability to make Obama seem any less polished on world affairs, and their own candidate's strength on domestic issues.

As the debate wore on in Mississippi, the New York Yankees were beating the stuffing out of the Boston Red Sox in Fenway Park -- Cody Ransom hit two home runs and Johnny Damon hit one, leading the Yankees to a 19-8 victory over Boston... which would be great news for me, except for the fact that the Yankees were mathematically eliminated from the playoffs a week ago. The only good news is it keeps the Red Sox from the AL East title -- they'll have to make do with the wild card slot.

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Monday, September 15, 2008

Cringe-worthy

Okay, I've read over my last couple posts a few times and I can't stand them. I'd delete them wholesale, but I'm keeping them up just to maintain some sense of personal integrity.


It may have been the beers I drank (before the one immediately proceeding this especially) or the classes I'm taking in high-minded theoretical models of comparative politics -- or some combination of both -- but the end result is an embarrassing mess of pseudo-intellectual, poorly-thought-out bullshit that I'm not happy I put my name on.

So what I'm doing is promising not to ever pretend to sound scholarly on here, ever again. It's annoying and pretentious and it makes me come off like an asshole.

As for an update, well -- I'm a happy guy. Things are going well. Classes are demanding but I'm starting to feel like I'm actually learning something (other than how to write like a jackass).

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Thursday, September 11, 2008

Pigs and lipstick

"I like pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals." -- Winston Churchill


"I am very proud to be called a pig. It stands for pride, integrity and guts." -- Ronald Reagan

"[A] single pig can consume two pounds of uncooked flesh every minute. Hence the expression, 'as greedy as a pig.'" -- "Bricktop," Snatch, Guy Ritchie, 2000

"Hey, a sewer rat may taste like pumpkin pie, but I'd never know, 'cause I wouldn't eat the filthy motherfucker. Pigs sleep and root in shit. That's a filthy animal. I ain't eat nothin' that ain't got sense enough to disregard its own feces." -- "Jules," Pulp Fiction, 1994

The poor pig does not get a very fair shake in literature. The pigs in George Orwell's Animal Farm (1945) are stand-ins for communists (Snowball is said to represent Trotsky, and Old Major is said to be either Karl Marx or Vladmir Lenin or a combination of both); in William Golding's Lord of the Flies, the severed pig's head is regarded as a savage diety by the eventually animalistic boys who find themselves marooned on the island -- along with their hapless, glasses-wearing compatriot, the chubby boy known as "Piggy."

Pigs then, one might guess, are fortunate to be blissfully unaware of the metaphors we use them in. Pigs are, genetically speaking, strikingly similar to humans, so much so that their organs in some cases can be used in humans as transplants. Despite their reputation as "filthy animals," both by pop culture (see above) and religion (see the Torah), pigs are naturally rather fastidious about their upkeep and hygiene. 

But their reputation as dirty, loathsome things persists, and it is as such that they are used in our present-day analogies.

"You can put lipstick on a pig, but it's still a pig," said U.S. Sen. Barack Obama, talking about U.S. Sen. John McCain's recently-rebranded campaign of "change."

Obama has since come under fire for the comment. Republican boosters (and, I'm sad to say, the news media) nation-wide have crowed that the presidential candidate from Illinois was most certainly referring to McCain's pick for vice president, Alaska Governor Sarah Palin, who, during the Republican National Convention in Minnesota, joked that the difference between a bulldog and a "hockey mom" was lipstick.

Therefore, the logic seems to run, Obama must have been calling Palin a pig.

It isn't the case (Obama was actually referring to McCain's economic policy and deriding him for suddenly painting himself as a "change" candidate), but that's almost beside the point. What has happened is that attention has successfully been diverted from the question of "Where do the candidates stand on such-and-such a policy" to "who called who what barnyard animal?"

This makes my current field of study -- political science -- supremely frustrating. What's the point in learning about this stuff if ("We The") people pay about as much attention to the political process as pigeons do to traffic patterns?

I'm just a student, and a new one at that, in political science. But in my first few weeks of study, the subject of voting behavior has come up in discussion. It's difficult, apparently, to accurately model voting behavior, because mathematically speaking, there's really no reason to vote -- there's no "margin." Any individual voter has an infinitesimally small chance of actually having any impact on the eventual outcome of a national election.

It follows, then, that doing any serious research into what candidate will actually influence policy the way one wants is subject to the law of diminishing returns -- you're putting more time into a choice that still has a near-zero impact. Why bother?

But people do vote, and perhaps that's a phenomenon that can't be easily represented by equations comparing x and y. People still (less so now than in years past, maybe) understand that voting is their one shot at participating in democracy -- although the time they spend balancing one choice against another may be severely curtailed.

My guess is that both parties are aware of this, and are (more or less successfully) campaigning with it in mind. It's a little frightening, since there are two months between the party conventions and the general election, and at least two of the days in the interim have been spent figuring out the importance of an offhand reference to a pig and the makeup it might wear. Out of the 54 days between the close of the Republican National Convention and November 4, that's 3.7 percent of the time... which of course is time we aren't spending talking about issues like the wars in Iraq and Afghanistan, the country's flagging economy, energy policy and education.

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Wednesday, September 03, 2008

Sarah Palin's RNC speech

Alaska Governor and Republican vice presidential candidate Sarah Palin delivered her speech in St. Paul tonight at the Republican National Convention, and I have to say I was impressed, with perhaps a couple reservations.



Her family, including the overly-scrutinized 17-year-old daughter Bristol, joined her on the space-age stage as she discussed bringing what she called "real change" to Washington. In a comment leaked to the press pool ahead of time, she dismissed charges of inexperience, saying that being the mayor of a small town was "sort of like being a community organizer... but with actual responsibilities," an obvious barb directed at Sen. Barack Obama's own relatively recent beginnings in politics.

Speaking about her own experience as Alaska's chief executive, she said she had used her veto power to save state taxpayers about a half billion dollars in costly legislation proposed by the state legislature -- but she didn't mention any of the bills specifically, which means now I have to go look them up.

She criticized Obama (and really, the Democratic Party) for allegedly planning on adding billions of dollars in tax burden to the American economy, and talked about Obama's intention of raising the "death tax" (formerly known as the "Estate Tax") and further burdening American taxpayers.

It's worth noting here that Obama's stated position on taxes is to protect tax cuts to the low and middle classes, and reverse only the tax cuts Pres. George Bush instituted for the extremely wealthy -- a rather important distinction. But when have campaign speeches ever stuck entirely to the facts?

Palin made some hay with the notion that a Democratic administration would be for "bigger government" and "irresponsible spending." Again, these are bad things, but Obama's (who she never named) stated position is to eliminate these things, too. And it's also worth noting that it's been under a Republican president and administration that the federal deficit ceiling was increased to $9 trillon (which Obama as an Illionois state senator voted against), the apparently worthless Department of Homeland Security was established, and countless billions in federal dollars were awarded in no-bid contracts (here's looking at you, Kellogg, Brown & Root and Blackwater).

This is not to say her speech was anything less than impressive. Palin spoke with confidence and poise, and I can't not like her. She has a commanding presence and voice, and, unlike Sen. Hillary Clinton, doesn't sound like an alien from Mars Attacks!. It's clear that Palin is a leader and is comfortable in that role. 

On the subject of her running-mate, Arizona Sen. John McCain, Palin praised his record of service in the U.S. Navy and his steadfastness during his years as a prisoner of war in Vietnam. She spoke of him, not surprisingly, as a change-oriented reformer with a maverick streak. It makes me wonder what happened to the bill he authored a few years ago that would have made the Army's Field Manual on the interrogation (read: torture) of war prisoners standard for all U.S. agencies (including the CIA, which proved to be too restrictive for Vice President Dick Cheney's tastes). McCain seems to have backed off on that position in the two years since it fizzled.

Some of Palin's material seemed designed to distance her campaign from the sitting president -- certainly a good move, given Bush's past 20 months of 33 percent or worse job approval rating. But she also made a few pandering moves, such as bringing up the stock-standard Republican paper tiger of the shadowy al Qaeda operatives lurking just beyond our borders and plotting our destruction. She derided Obama for being worried about them "not being read their rights," which drew jeers and applause from the crowd. Call me crazy, but I am and remain a big fan of due process. Oh, and the Constitution.

There's plenty more to say about the speech, but it's late and I have statistics homework to attend to. Sarah Palin is a remarkable candidate and, by all appearances, clearly cut out for an executive role. That her speech departed from or ignored certain truths is to be expected -- since, after all, this is all really just theater.

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Sunday, August 31, 2008

Getting the inside track

I am Important. I know this because I've been getting text messages from Barack Obama. Joe Biden and Michelle Obama wrote me emails. They were addressed to me, personally, starting off with "Dear Ian."

Actually, the Obama campaign has become more like the annoying co-worker who won't stop sending email forwards. I've gotten ones presumably from all the top players in the campaign, and they're normally breathless reviews of the last night's speeches (and always accompanied with links to YouTube videos of the same), or indignant "taking the high road" rejoinders to the McCain camp's latest juvenile TV spot ("He's the most popular person in America... but he also might be the antichrist").

What they all are is marketing. Image creation and manipulation is the name of the game today -- and that extends to both sides' purported "plans" for this great nation of ours.

After eight years of George Bush and Republican boondoggles, I was only too happy to jump on board the Obamawagon. But the infatuation is now over, and I'm getting that September sinking feeling, knowing all too well that campaign promises -- whether it's Winning the War or Bringing About Change -- are all just so much hot air, delivered, often eloquently, by individuals whose sole goal is to get into office.

I'm not alone in that theory. In fact, according to a textbook I bought just last week and read the first few pages of, getting into and staying in office are the first and foremost priorities of any polticial leader. Every decision made by a politician, the authors of this overpriced book say, is designed to hold on to or gain more power.

So, posed with the ethics question, "Is it better to lie or to tell the truth," our hypothetical politician would most likely say, "Well, which one would get me elected?"

Which brings us to Sen. McCain's choice of Alaska Governor Sarah Palin as his vice presidential nominee. A startling choice (if one is to believe the AP headlines), particularly since Palin is a rank rookie in American politics, whose resume still includes her service on her small-town PTA.

But she does bring a seemingly important trait to the table: she is, indeed, a woman, which apparently is all a certain bloc of Hillary Clinton supporters need to jump ship and turn Republican.

I don't have any particular problems with Palin at the moment, but it's worth pointing out that her selection to the GOP ticket shoots holes in McCain's favorite criticism of Obama -- "He's popular, but is he ready to lead?" Sure, the vice president doesn't necessarily need the leadership skills that the president does, but isn't the whole point of having a vice president so that you have a qualified person ready to take over should the president become unable to lead? I mean, if not, why not have Rebecca Romjin as your vice president?

But, as I've been pointing out at every opportunity possible, experience either matters, or it doesn't. When you're talking about potential presidents and vice presidents, the same requirements should be expected out of all of them. And to me, "experience" is a bit of an ephemeral idea, anyway. I heard someone make the claim that Palin actually has more "executive" experience than anyone else in the race -- all the rest of the candidates only have legislative political experience.

Well, okay, but I think it's fair to draw a distinction between running a po-dunk town of 5,000 and governing the "Great" state of Alaska, and governing the entire United States of America. In fact, my own feeling is that serving on the U.S. Senate would probably be a better set of "experience" for executive office than being governor of the only state where your building codes have to make allowances for igloos.

Anyway, all that aside, the point I was setting out to make here was that Palin is a marketing choice on McCain's part. She's easy on the eyes, has a kid headed to Iraq, and is by all accounts a social conservative. These aren't really indicators of the influence she'll have on policy (should she and McCain make it into the White House), but they're tags that make her marketable to a certain demographic of voters.

I feel pretty much the same way about Joseph Biden, who clearly was picked to counteract the "inexperience" Obama has been constantly criticized for. Of course, Biden is now considered a "Washington Insider" and a "good old boy," so I'm not sure where one is supposed to draw the line.

Or if you're supposed to draw one at all. At this point, I'm pretty convinced that the whole lot of them are cynical scumbags out to advance their own careers at whatever cost. I'd love to see some change -- some REAL change -- but I'm afraid that the way we have things set up, change is about the last thing we're ever going to get... at least on our own.

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Bad blogger

Yup, I admit it -- I suck as a blogger, and really have for, oh, the past two years or so. If you're here, chances are good that you accidentally discovered this page during a Google image search for ACUs, or while trying to find the lyrics to a Li'l Jon song I referenced a long time ago.

But that doesn't mean things here are dead. I may be shifting gears with the blog rather soon, since I'm going to be spending pretty much all my time reading about various theories in the field of political science.

I was just reading one such paper today, which conveniently happens to be written by my comparative politics professor. In it, he creates a mathematical model to predict the outcomes of party politics -- there are variables, Greek symbols, and a bunch of operations that I don't even remotely understand.

It's frustrating so far, because I feel distinctly out of my depth (which I may have mentioned below, in my last vodka-flavored post).

But the hope is that as the semester rolls on and I cram more of this stuff into my head, I'll eventually be able to start digesting it and making intelligent comments about it in class -- maybe even writing papers about the stuff. In order to help that process along, I think it might be useful to use this space as a sounding board of sorts -- a place where I can hammer out ideas or just spitball. And who knows -- maybe some poli-sci expert looking for ACUs or Li'l Jon lyrics will happen across it and provide some direction for me.

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Tuesday, August 26, 2008

Post 410

Blogger tells me that up till this point, I've created 409 posts -- which makes this 410.

That really doesn't mean a thing. But it's enough of a start to get me rolling on a new post, anyway.

I've arrived at the beginning of yet another new chapter in my life: a return to school. Monday, I began coursework on a master of arts in political science at Binghamton University, a scant 40 miles down the road from where I live now.

After only a couple days of actively participating in the program, I'm already acutely aware of the fact that my classmates (and the faculty) are academics -- members, or potential members, of the intelligentsia I have never felt much of a synchronisity with. They've all got extensive backgrounds in the social sciences... familiarity with Gauss-Markov assumptions in analytical statistics, understandings of the differences between "soft" and "hard" power, and the knowledge of what the term "rent-seeking behavior" actually means.

So I tend to feel as though I'm starting from behind the curve. I'm good at dropping a name or two when conversations turn philosophical -- I can identify an idea as essentially "Rogerian" or explain how the terms "liberal" and "conservative" both began as descriptions of different branches of the same post-Frech-Revolutionary tree -- but I'm hopelessly at sea when it comes to scientific method and the tools used in empirical enquiry, which are critical tools in the study of political science.

At least, that's how I felt when I showed up on campus for the first time. There I was, a pot-bellied, tired, ex-soldier, looking for directions on a prestigious state school filled with fresh-faced freshmen 10 years younger than me, gabbing to each other about what they expected out of school.

And after delving into the first set of assigned readings -- all treatises either attacking or defending the social science claim known as "Rational Choice Theory" -- I can feel my brain starting to turn on again. I don't pretend to understand the underpinings of political science yet, but it's certainly fun to re-examine the differences between inductive and deductive reasoning, and to look at the various ways a dispassionate researcher might examine the current conflict between Georgia and Russia.

Without any claims of being a great writer, I know this, though: I've got them schooled when it comes to putting words into sentences. These clowns know nothing about getting ideas across to people outside their field -- which might make for an interesting research paper in itself. I may not know how to plot a curve on a Cartesian table, but I can at least express my lack of knowledge in a way that makes some sort of sense.

But I've gained at least one insight: my understanding and feelings about politics have, up to this point, been rhetorical in nature. That's kind of a loaded word, so what I mean is this: I've listened to arguments, and aligned myself with whatever argument I feel takes into account the most variables and offers the best solution -- in its own terms.

That's a little weird, even for me to go back over and try to make sense out of. But the point is this: till now, nothing I've understood politically has ever been based on any scientifically testable data. Evidently, this is exactly the problem I'm going to be fixing over the next three semesters, and truth be told, I'm both incredibly excited and hopelessly intimidated.

I now have a desk under the Glenn Bartle Library (South), where I am apparently free to keep books, and am informally expected to spend the balance of my time while enrolled in the Binghamton University Graduate Program. I'm looking at two months of being totally broke until my G.I. Bill benefits kick in, but once that happens, I'll be free to completely delve into devotion to study and academia -- which hopefully will mean more faithful updating of this poor blog.

They tell me I should look at this as a 9-5 job. I've had those -- which have typically been more demanding than "9-5." Whatever the case, I'm excited about this new step (which I'm not paying for -- thank you, five years in the Army), and while I'm admittedly nervous, it's certainly the "right" direction to be moving in.

More soon....

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Tuesday, July 08, 2008

Best man speech

I meant to post this a while ago. My brother Zach got married a couple weekends ago, and he asked me to be the best man. Naturally, I was honored, and I was given the traditional task of making a toast during the reception. Here's what I said (more or less).

As his older brother, I've known Zach for at least as long as anyone... with the possible exceptions of Mom and Dad, who technically met him before me.

I don't want to take up too much time here, but I wanted to tell you all a little about Zach, and why I'm very happy to be able to be here for this great day in both his and Kristen's lives.

We've been friends since the very beginning, in Wenatchee, Washington, where we were both born. Growing up, we did everything together. We'd spend our days building forts with the sofa cushions in the house, sledding down into the "Weeds" near our house on Canyon View Place, or climbing into the tree house Dad built in the willow by the driveway.

One thing eventually became clear about Zach -- that he is absolutely single-minded in purpose when he decides to do something. Over the years, this has occasionally been mistaken for obstinacy or stubbornness, but the fact is, when Zach wants to accomplish something, he does it.

A couple examples. As a teenager, Zach decided to learn how to play guitar. He started on Dad's, learning chords and picking patterns bit by bit. For his sixteenth birthday, Mom and Dad got him a beautiful Gibson Les Paul (that's an electric guitar, if you're wondering). After that, it seemed like he'd disappeared. We thought we'd never see him again -- but we certainly could hear him. He stayed in the basement with that guitar and an amplifier for hours on end, practicing, practicing, practicing. Eventually, he was playing licks from Guns 'n' Roses and Van Halen with note-for-note accuracy.

It wasn't long ater this that Zach decided to get into shape. Neither of us had been particularly athletic growing up -- we'd generally chosen Legos over soccer balls. But Zach apparently woke up one day and decided to lift weights -- which is exactly what he did. Every day, he was in the gym pumping iron, until he had transformed himself. I got a chance to experience this first hand once when I came home from Franciscan during my freshman year. Zach and I got into our only fight, and I was very soundly beaten.

Zach's determination is clear now from his decision to start off on a new career. He wasn't happy about what he was doing in the mental health field, and one day not so long ago, he decided to go into marine biology -- just like that. And he's done it. He's managed to turn his career around and start working in a field he really loves, and I respect that decision -- and the determination it took to pull it off -- a lot.

The reason I bring up these stories is partly to show why I've always had an admiration of my younger brother, but also to illustrate why I think he's going to make a terrific husband.

Zach and I haven't had much time together over the last few years -- our careers have taken us in different directions and to different places. But it has been reassuring for me to know that he has Kristen in his life now. I don't know of another couple who is easier to be around, or who seem more suited for each other than these two. Kristen has been an ideal friend, partner, and co-conspirator for Zach, and now, some eight years after they met, I find it difficult to imagine them apart from each other, and I feel very happy to be here to send them on their way into their life together as husband and wife.

So, thank you, Mr. and Mrs. M_____, for hosting this beautiful event, and thanks to everyone who has come, some from very far away. And I think I can speak for everyone here when I offer you, Zach and Kristen, my warmest congratulations and wish you the very best of luck. Thank you all. Cheers.
Congratulations, brother. Catch me a lobster.

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Sunday, June 29, 2008

Death by Commencement

This may come as a bit of a surprise for some people, but being a reporter for a small-town daily newspaper isn't all glitz and glamor. Sometimes you find yourself at events you have little or no interest in, and in many such cases, there's a good reason for not intending to attend.

How about an example? Sure. This Saturday, it was my turn to work. For the Saturday edition, what typically happens is copy from Friday afternoon is used to fill the local pages. Since we go to press around noon, there's not much time to pull things together the same day. The stories written by the Saturday reporter are kept in the queue for Monday's edition. Friday, I'd discussed coverage with my editor, and he'd wanted me to cover two things: first, a local high school commencement ceremony, and next, a memorial service held for a woman who was murdered last month.

The second item we can safely set aside for now. What I'd like to discuss instead is the atrocity against the human nervous system that was the high school commencement. "Boring" does not describe this event, since the word fails to conjure up the anger, fear, resentment and hatred generated in me -- and, I believe, many of the other onlookers -- at this ceremony.

It's not as if I had high hopes. Commencement ceremonies are boring even for the people receiving diplomas, to say nothing for their poor friends and relatives who have been guilted into attending. And for hungover reporters who have no connection whatsoever to the graduation, they're murderous to begin with.

And everything was right on track Saturday morning. I spoke to a few students outside -- my angle was, "What are you looking forward to most, and what do you fear the most, about post-high school life?" It was supposed to be a look at how today's high school students view the world and society around them -- a pretty safe premise for a very run-of-the-mill sort of story.

The problem with my thesis, such as it was, was this: high school students don't view the world and society around them. So as the ceremony began, I was 0-3 for useful quotes.

Then the ceremony, which was held in the state university's basketball arena, got underway. The band played "Pomp and Circumstance," the graduates, who wore purple robes and mortarboards over camouflage shorts and flip-flops or dirty basketball sneakers, filed into their seats. It was all very pro forma, and apart from the mild hangover, I was doing fine.

But after the principal's welcome and the salutatory, the gates of Hell opened and issued forth the worst speech ever foisted upon human ears. One of the school's gym teachers had been selected by the graduating class to give the commencement speech, and I hope the whole lot of them realize what a horrible mistake they made.

For 40 solid minutes, this woman rambled on about setting goals, creating strategies, and pursuing dreams. She encouraged the graduates, in the vaguest way possible, to accept defeats as learning experiences, reading from her notes with the emotional range of a metronome.

The entire speech -- or, at least the parts I could bear to listen to -- was made up of warmed-over cliches found in inspirational day-planners and Chicken Soup for the Soul books.

"Ask yourself, what are you passionate about? What do you want to do with your life? What are you good at? What's your game plan? What's your strategy?" she said, miraculously offering no insight whatsoever to the 177 graduates.

I wrote this in my notebook: "A tea kettle, when it's up to its neck in hot water, sings its best song." Next to it, I drew an arrow pointing toward the quote, with "Someone actually said that" written at the other end of the arrow.

Looking at my watch, I saw that 20 minutes had gone by. It had felt like a lifetime, and I was going from simply bored and distracted to incredulous and angry.

I sent a text message to a friend: "The list of things I would prefer to this includes being dragged through a cancer ward by my eyelids."

Walking out back, where I could still sort of hear what was happening inside, I ran into a man -- probably a father or uncle of one of the graduates -- smoking a cigarette.

"This is unbelievable," I said, not knowing how else to address the situation.

"Yeah, she just won't stop," he said. I lit up a Camel and looked back toward the building, where the crowd of hundreds was still being subjected to the verbal version of the Ice Age. As furious as I was at having to be there, I still felt a few pangs of sympathy for the parents, friends, relatives, and even the graduates themselves, who were locked into the seats they'd chosen.

As time went on, the speech continued, and gradually, people started leaving the building. Some came out to the area I was standing and lit cigarettes, and others with kids in tow moved toward their cars. I couldn't hear the actual words of the speech any more, just the dull, monotonous meter of the speaker's voice, reading line after line in the same droning cadence she'd started in.

When the commencement address finally ended, it occurred to me to check the stands for casualties who had succumbed to terminal boredom, but I was interrupted by the school principal, who decided to read off the names of scholarship recipients in a voice that would have been more at home at a midget pro wrestling extravaganza. Since there is apparently a new policy that demands every student must receive some kind of award, this went on interminably as well, and I remained outside smoking and wondering what poor life decisions I must have made in order to wind up in this horrible place. More audience members were trickling out of the doors, trying to make stealthy escapes to their cars in the parking lots on the other side of the building.

At long last, the ceremony ended and the purple-robed graduates filed out the large doors at the rear of the basketball arena. I spoke with a few -- one, who wore large earlobe stretchers, told me he planned to become a tattoo artist. Others told me they were going to the local community college and eventually wanted to become dental hygienists. Others said they were looking forward to "new beginnings" and "making new friends."

Almost three hours, and this was it? Yes, apparently... that was about all I got from all the graduates I spoke to. But I suppose I can hardly blame the kids. After that soul-crushing speech from one of their teachers, I can't even begin to fathom how they made it through high school without being voluntarily lobotomized.

So the lesson here is this: Next time your job requires you to attend a high school commencement ceremony, just quit and move to a new town. It'll be much less painful.

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Friday, May 23, 2008

Concert, up too late

I went to see Scythian at The Haunt in Ithaca last night. The guys put on a great show -- initially, they'd planned on playing a quick set and hitting the road, since so few people had shown up. But by the time they'd gotten about 40 minutes in, a good-size crowd had gathered, and the band played on, shutting the place down at 1 a.m.

Afterwards, Joey, Dan and Nathan came back to my folks' house in Cortland, and we spent a while watching Darkness videos on YouTube, eating hummus, and telling animal jokes.

Around 4 a.m., Joe told me, "I'm dark and excessive. You're excessively dark."

It's amazing how every so often someone can sum things up with incredible accuracy and economy of words.

Which reminds me, I have some 40 pages of Scythian-related interviews and narrative that I need to boil down into something meaningful at some point. It's been sitting in my computer and weighing on my conscience for at least six months now.

Fortunately, we reigned it in last night and were responsible citizens. The bad news is that I only got about two hours of sleep before I had to head out for police beat, so I'm feeling a bit punchy this morning.

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Monday, May 12, 2008

Burn it

Despite his nearly insurmountable delegate lead in the race for the Democratic nomination, Sen. Barack Obama (D-Ill.) is trailing Sen. Hillary Clinton (D-N.Y.) by about 40 percentage points in that bastion of free thought known as West Virginia, where residents will cast their votes Tuesday in the state's democratic primary.

Why? Some quotes from some of Mingo County's itinerant scholars:


“I heard that Obama is a Muslim and his wife’s an atheist,” said Mr Simpson, drawing on a cigarette outside the fire station in Williamson, a coalmining town of 3,400 people surrounded by lush wooded hillsides.

...

Most people questioned said they mistrusted Mr Obama because of doubts about his patriotism and “values”, stemming from his cosmopolitan background, his exotic name and the controversy surrounding “anti-American” sermons by Jeremiah Wright, his former pastor. Several people said they believed he was a Muslim – an unfounded rumour that has circulated on the internet for months – despite the contradiction with his 20-year membership of Mr Wright’s church in Chicago. Others mentioned his refusal to wear a Stars and Stripes badge and controversial remarks by his wife, Mich­elle, who des­cribed America as “mean” and implied that she had never been proud of the US until her husband ran for president.

...

Josh Fry, a 24-year-old ambulance driver from Williamson, insisted he was not racist but said he would feel more comfortable with Mr McCain, the 71-year-old Vietnam war hero, in the White House. “I want someone who is a full-blooded American as president,” he said.

We all know that "full-blooded American" is West Virginian for "white person," right? And I wonder who Mr. Simpson "heard" the rumor that Obama was Muslim from -- maybe it was from the state's senior democratic senator, Robert Byrd, who got his start in politics in the Ku Klux Klan?

The good news, I suppose, is that the nomination isn't going to be decided by any kind of "democracy" at all, but by mysterious people known as "superdelegates" who nobody knew anything about before January this year. While that's somewhat disenfranchising, it's a bit of a relief given that it'll keep the dolts in that intersection of the Rust Belt and the Bible Belt from having anything to say about who's running the country a year from now.

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Sunday, May 11, 2008

Eureka -- I've found it!

It's been a long, hard journey, but I have found it: the worst movie ever made.

Throughout the years, various critics have compiled lists of what they consider the worst movies ever. I've seen many of these pictures, which are indeed bad, but all have paled in comparison to the steaming pile of dogshit that is Cannibal Holocaust 2.

Before you point this out, I'll acknowledge that you're right -- anything called Cannibal Holocaust 2 really wasn't shooting for the Academy Awards in the first place. But this movie moves beyond the fun, party-atmosphere badness provided by sheer camp and exploitation and elevates awfulness to an entirely new plane of existence. I'm unsure if I even have the vocabulary necessary to explain how truly god-awful this film is.

Okay, some background information. First, I only recently became aware of what is now known as the "Cannibal Boom" of the late 1970s, during which directors (almost exclusively Italian) churned out a surprising number of cannibal-themed movies to grindhouses and drive-ins across the U.S. Cannibal Holocaust, which made its way to theaters in 1979, was considered the grisly pinnacle of the short-lived trend -- and it also was the first movie (at least that I know of) to use the faux-documentary style (a la The Blair Witch Project and, more recently, Cloverfield and Diary of the Dead) to lend the film an air of realism.

It inspired a host of knock-offs, including the thoroughly unpleasant Cannibal Ferox and, naturally, Cannibal Holocaust 2.

The original Cannibal Holocaust is gruesome almost all the way through, and I'm not proud of having seen it when all is said and done. But it's Bridge on the River Kwai compared to the sequel, which begins in a Brazilian courtroom where a young woman is on trial for murder. The majority of the action takes the form of flashbacks as she provides testimony detailing the murder (and decapitation) of her parents and her subsequent abduction by a tribe of "headhunters." As the story -- such as it is -- unfolds, she eventually falls in love with one of the tribesmen and exacts revenge on her parents' real murderers (who aren't the natives at all... that's a spoiler, but I'm not ruining this for anyone, because hopefully you will never, ever waste the hour and a half watching this piece of celluloid garbage).

There's not much else to it, really. Being one in the long line of Italian horror exports, it's horribly dubbed and the acting makes your local elementary school's last Christmas pageant seem like something fit for Carnegie Hall. The heroine narrates some of the scenes and provides the kind of commentary you'd expect from the explanatory boxes in Archie comics. The whole thing is remarkably boring, and winds up being something of a fake documentary on a tribe of people who do not exist. The film also has an almost childlike racism to it.

In short, this is a film that has absolutely no redeeming characteristics. It's awful from start to finish and from top to bottom. And it's so boring that you can't even laugh at the hideousness of it.

I'm not sure what it is, but I have a certain love for truly horrible movies -- I got kicks out of obscure camp horror movies like Slugs and Blood Beach, and the Friday the 13th movies are a hoot. For whatever reason, a movie can at some point move beyond bad and into this weird "good" category, where you enjoy it for its hilarious awfulness. However, Cannibal Holocaust 2 moves beyond bad, skips over that weird "good" category, and dives headfirst into a whole new level of horrid.

I had read that it is considered the last of the cannibal movies, and now I understand -- Cannibal Holocaust 2 was actually bad enough to destroy an entire subgenre of film. That sounds like exaggeration, but trust me, it isn't.

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Sunday, April 27, 2008

Sunday night rumination

Today I read back through some of the posts I've written here years ago -- some news analysis from back in 2005, specifically.

Then I clicked back to the current posts -- and the only things I've really had the energy to write lately are "live blogs" of rotten horror movies... which I haven't even had the patience to really finish.

And it's not as if there isn't anything to write about. Barack Obama and Hillary Clinton are still squabbling over the Democratic nomination, there are still wars going on (we hit the grim milestone of 4,000 U.S. troops dead some weeks back), and the American economy is poised to take a headlong trip down the shitter. So where's my excitement? Where's this urge I once had to throw in my two cents about everything?

I think the problem, at least in part, is that the Problem is too big. As a people, we Americans are too complacent, lazy, ignorant, and comfortable to be bothered with anything -- at least for more than five or ten minutes or so. And there's just too many huge issues to try to take on: the epic failure of the current administration is a good example. Where do you start? The war? The collapsing value of the dollar? The fact that Americans are now pariahs wherever else we dare to venture in the world? The decline of our education system despite promises of "No Child Left Behind"?

On that last note, a friend of mine told me she'd recently read a study that showed that some 40 percent of high school students now use "emoticons" on text-script in their homework assignments. She's a teacher, and said she'd just graded an assignment that included "idk" as an answer. For the un-unenlightened, that's cellphone-ese for "I Don't Know."

I'd be more inclined to cobble some thoughts together on the presidential hopefuls who are crisscrossing the country at the moment hoping to shore up enough support to get elected in November. But unfortunately, the three of them -- McCain, Obama, and Clinton -- all appeared in videotaped messages at the WWE's Monday Night Raw this past week. I lost all respect I once had for Obama as soon as I heard him say, "Can you smell what Barack is cookin'?"

More importantly, I've lost all remaining respect I had for American voters. All three of the remaining (viable) candidates have large campaign staffs whose job it is to tell them where to appear and what to say to have the maximum impact on the electorate -- and all three agreed to appear on Monday Night Raw. This indicates to me that American voters have been measured as perhaps the stupidest demographic on the planet, vying with sub-groups such as "NASCAR Fans," "pre-frontal lobe lobotomy patients," and "Crossing Over viewers" for the coveted bottom slot.

Be that as it may, I've basically had it with being an American. I don't want to be associated with a people who need presidential candidates to appear on a professional wrestling/gay ballet show to get them excited about voting.

I'll end on that note, because I really don't know where else to take this. Current events are just depressing, so maybe for the time being, I'll stick with old horror movies.

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Tuesday, April 22, 2008

Another old-school horror movie live-blog

This is always fun – I pop in an old horror movie, and write down my thoughts as the film unfolds. Tonight, it’s Dario Argento’s Suspiria, regarded as one of the scariest movies of all time.

Suspiria is dated 1977, and is apparently the first in some trilogy about evil mothers. It’s supposedly a legendary horror film, and it features music by the Italian rock band “Goblin,” who also provided music for several of Argento’s buddy George A. Romero’s zombie pictures (Argento’s daughter, Asia Argento, is an actress who had a lead role in Romero’s latest zombie apocalypse movie, Land of the Dead).

I’ll admit that I didn’t think of doing this until I’d started the movie up and gotten about nine minutes in, so here’s a synopsis of the first little bit. And be aware, there are spoilers coming up.

An American ballet student, Suzy Banyon, has decided to study at a prestigious school in Germany. She arrives (after some storybook-type narration over the opening credits) around 10 at night, and catches a cab to the school during a torrential downpour. When she arrives, there’s another female student fleeing in terror, and Suzy isn’t allowed into the building. A voice over the intercom tells her “Go away! I don’t know you!”

Suzy gets back into the cab and heads for a hotel, picking up the woman fleeing through the woods on her way. The two hole up in a very strangely-decorated hotel, and the German student tells Suzy that she must escape from the school – but for reasons that she couldn’t possibly explain.

“It’s too… fantastic,” she says, unhelpfully.

While she’s getting set for bed, a window in the bedroom flies open, scaring her. Suzy tells her to calm down… which puts us at:

00:09:20 – The girls are milling around the hotel room, and the tense Goblin music is building. Something bad is going to happen very soon, and if Dario Argento’s reputation is anything to go on, it’s probably going to be very gory.

00:09:55 – Blonde student is approaching the open window. This is never good.

00:10:27 – Huh? Nothing’s happened yet, but the musical tension hasn’t shut off. Blondie seems intent on hanging out right next to this window. Where’s that Alan Brooks character from The Trollenberg Terror? He’d get her mind off her troubles with a healthy shot of Scotch from his trusty flask.

00:10:39 – Nervous inner-monologue from the German girl: “Must… open… scary… window… for no… apparent… reason…!”

00:11:08 – Woah! Creepy moment Number 1: While dummy is staring out the window into what seems to be a loaded clothesline (who leaves laundry out on a line in a monsoon? And who has a clothesline up right next to the ninth floor of a hotel? What the hell is up with Germans?), she holds up a lamp to the window, and two weird disembodied green eyes suddenly stare back at her. Since this is a horror movie, and we couldn’t have two characters discussing and rationally dealing with something that screwed up, I’m afraid Miss German Dance Student is not long for this world.

00:13:40 – Well, I certainly called that one. The killer is apparently a somewhat hairy man’s arm, which comes out of nowhere and forces the German girl’s head through the glass window (she never really got around to opening it). Suffice it to say that she is now very, very dead. To top things off, the Killer Arm drops her through a stained-glass window on the roof, and the falling glass manages to kill another woman who happened to be standing in the lobby. That puts our body count at two, and my estimate on gallons of red-dyed corn syrup used so far is three.

00:13:47 – Cut to the next morning, and a blind man with a seeing eye dog and a fixation on the early Beatles’ wardrobe is wandering around the dance school. I need to pause right here and point out the fact that blind people really got a pretty bad rap in movies up until, say, Scent of a Woman. This dude is walking around as if he just now lost his sight: head tilted back, mouth agape, flailing around with his red and white cane (despite the placid presence of his guide dog, which you’d hope would keep him from having to whip that thing around so much). Anyway, let’s see what this dope is up to.

00:14:12 – Hah! Unintentional comedy moment number one: Blind Dude has just tied his dog up to the bike rack outside the school’s main entrance. In the seventies, you apparently could smoke your face off inside, but don’t bring your damn seeing-eye dogs in. Or maybe Blind Guy thinks he’s a cowboy, and that he’s just tied Old Silver up to the trough outside Poot’s Saloon in Tombstone. I have no idea. Actually, based on the way he’s dressed, I’d expect him to be singing “I Want To Hold Your Hand” on the Ed Sullivan Show.

00:14:32 – Suzy shows up at the school right on Blind Guy’s heels. She clearly is unperturbed by the fact that her roommate was yanked through the bedroom window and given a working-over with a set of Ginsu knives last night, because she’s sort of moseying calmly toward the door, seemingly enjoying the nice morning weather. This time, she doesn’t screw with the intercom, and just heads right in.

00:15:22 – Inside is a blue atrium filled with students and instructors. One of the instructors is a severe-looking woman who inexplicably has the mouth of Ed McMahon. She introduces herself as Miss Tanner, and asks Suzy why she didn’t show up the night before. After Suzy explains the locked-door-and-hostile-woman-on-the-intercom situation, Tanner apologizes and takes Suzy over to meet Madame Blanc, the vice-directress. “She was a very famous ballerina,” Tanner explains toothily. Blanc is an older woman in what looks like a 1940s cocktail gown, who is talking with three guys in suits.

00:15:38 – Blanc’s first impression of Suzy seems good, if creepy: “You’re pretty. Very pretty,” she says. Suzy actually looks a lot like Marian Ravenwood from Indiana Jones and the Raiders of the Lost Ark. Different actresses, though. As it turns out, the guys she’s speaking to are police officers, who are investigating the rather elaborate deaths that went on last night. I may have screwed this up, because Suzy seems to not know anything about the death whatsoever – only that she saw a girl running away from the school that night. I guess the two who died were both students… anyway, Suzy’s at the school, and Tanner takes her for a tour.

00:17:45 – The molarific Miss Tanner explains that the school doesn’t teach students to dance, because the assumption is that they already know how. During this conversation, a large servant passes them on the stairs. His name is Pavlo, and he might be the brother of Sloth from The Goonies. Apparently, he’s the general handyman at the school, and it’s perfectly acceptable for students to tell him how horrible he looks, because he only speaks Romanian. Pavlo looks a little crestfallen at this explanation from Tanner (but who can tell for sure? He looks like he’s capable of maybe three distinct expressions). He’s high on the Obvious List of possible dancer-slicers.

00:19:02 – Tanner shows Suzy to the locker room, where the other students are getting ready for class or something. Tanner tells Suzy to borrow a pair of shoes from someone who has two pairs. After she leaves, one of the students saunters over to Suzy and introduces herself as Olga, in a distinctly American accent. Apparently, she’s who Suzy is going to be rooming with off-campus. She seems to be out of her mind, and after Suzy meets another student, Sara, Olga observes that names that begin with the letter “S” are the names of snakes. “Sssss! Ssss! Ssssss!” she hisses. I guess now we know why this one wasn’t up for the Oscar in ’77.

00:23:29 – Back at Olga’s place, Suzy finds her room. An Italian guy – also a student, apparently – brings up her suitcases. He’s apparently got to get back to the school, since he lives on campus and “can’t be late for supper.”

00:23:39 – At the school, students are dancing ballet steps all over the place. Wonderful.

00:24:59 – Madame Blanc shows up and tells Suzy that her room at the school is ready, and free of charge. Suzy says she’d rather stay with Olga, and after some attempt at coercing her to change her mind, Blanc tells her it’s her choice. After the brief exchange, Miss Tanner creeps up behind Suzy and says, “I had no idea you were so strong-willed. I see that when you have made up your mind, nothing will change your decision. My compliments.” She grins, and I think she should be holding a giant Publisher’s Clearing House check.

00:25:46 – On her way down the hall after class, Suzy runs into a strange old woman polishing a crystal, as Madame Blanc’s odd little nephew stands by. As the woman polishes the crystal, it begins to glint, and suddenly it glows white, stunning Suzy. The lights go all weird, and Suzy manages to continue down the hall – looking as if she’s about to barf.

00:27:42 – At her next ballet class shortly afterwards, Suzy tells Sarah she’s feeling a little weak. She lets the grinning Miss Tanner know, who tells her to try the step anyway. The blind Beatle from earlier turns out to be the school’s piano player. Instead of wearing the normal sunglasses, he’s got what look like a pair of welding shades on, and he still looks like he’s just getting used to being blind. Suzy tries to dance along, but passes out – with bright red blood seeping from her nose and mouth. Why is it that horror movie blood looks nothing like actual blood? I mean, this stuff looks like red paint – which is probably what it is. Couldn’t they make it darker? And do I need professional help for this?

00:30:35 – Suzy’s taken to her room in the school – ah, so it was all a plot to have her move in! – where Miss Tanner is forcing her to drink water out of a crystal jug. The weird old lady is in the room, arranging Suzy’s possessions, which apparently Olga was kind enough to bring by. The doctor – if he is a doctor – says she’ll need some time in bed, plus plenty of peace, quiet, and bland food.

00:32:17 – Oh, and wine. Apparently, the professor – who is also some kind of doctor – has told Suzy that wine will be a part of her diet, because it “builds up the blood.” It’s constantly amazing to me how social attitudes toward alcohol have changed so much in the past couple decades. You watch a movie from the ‘70s or before, and alcohol was this ubiquitous thing that everybody just had as part of their daily lives. Now, anyone in a popular movie who drinks is usually a sad, sad case. The moral of the story? Well, apparently our parents were total drunks.

00:33:33 – Gross. Suzy has just found worms or maggots or something in her hair.

00:33:51 -- …which apparently dropped from the ceiling, which is covered with them. Gross, again.

00:35:33 – The maggots apparently were coming from a crate of food in the attic, which, Madame Blanc explains later, was ordered from what they believed was a reliable source. The story is that the food spoiled and drew the flies, which then dropped the maggots down through the cracks and onto the school’s shrieking female population.

--:--:-- — Okay, I don’t care if this movie is a horror classic. It sucks. That, plus pausing it every minute or so to write up my own commentary makes it take about three times as long to watch. I’ve had it. Just so you know, the dance school turns out to be a front for a coven of witches. Nothing else gets explained, you never find out who the killer is, and Suzy kills the big bad witch at the end. Oh, and the stupid piano player gets killed by his own seeing-eye dog.

The lesson I’m taking away from this is that the Italians should keep to making pasta, fast cars, and Coliseums. Leave the horror movies to the U.S. – they’re more our speed, anyway.

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Saturday, April 19, 2008

Epic blockbuster dream of the summer

I woke up this morning after having a remarkably Michael Bay sort of dream -- there was something about huge alien spaceships crawling out of the water and abducting people and performing experiments on them, but the experiments were more social than physical. For example, I think in one of them, the aliens (who I never saw, it was all robots) gave abductees whatever addictive substance they wanted. People would go aboard and get offered beers or heroin.

The weirdest part was that the whole thing seemed like it was shot like a summer action movie. There were wide establishing shots, and images from the sky of the space ships causing huge tsunamis in the cities where they came ashore. I'm pretty sure there was a closeup shot of Will Smith standing on a golf course saying, "Oh, shit" at one point.

The other day, I was talking with a close friend of mine about how intolerable long, drawn-out dream stories are. I remember hearing Greg Behrednt talking about it (this was back when he was a comedian, before he took a job as daytime company on television for housewives and shut-ins). He said there are two kinds of stories you probably want to think long and hard before telling: the dog/pet story ("Unless part of the story is that your dog started speaking Spanish, you might not want to tell that story") and the dream story. His point was good -- that dreams are amazing, they can be spectacular or horrifying, and they can leave you reeling.

"Here's the thing about dreams, though -- they didn't really happen," Behrednt said, pointing out that this is another kind of story you generally don't want to hear from other people, so you should avoid telling them yourself.

I think he was right, but I think it's more applicable to that kind of dream storytelling that involves a lot of time and explication. I mean, dreams (at least mine, anyway) rarely make sense in a narrative format... it's not as if your subconscious pays much attention to story arcs or the value of sensible conclusions.

But I think you can get away with a very abbreviated version of the dream story without making whoever's listening start plotting an escape route. Basically, you say something like, "I had this really weird dream about oranges last night," or, "I had this crazy nightmare about monsters breaking in and stealing all my coffee last night." If you leave it at that, nobody's going to feel too awkward and the ones who are actually interested might indicate the fact that they're willing to hear more by asking questions like, "Really? What kind of monsters?"

I broke that rule in this post, but at least I kept it to two paragraphs. So don't whine.

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